
For years, I have been careful to follow the advice Duke Ellington gave me when I was in my early twenties: "Do not categorize music or musicians—like 'Dixieland' or 'modern.' Listen, open yourself, to each musician." I failed to heed Duke's counsel with regard to Frank Sinatra Jr. Figuring he'd be a shadow of his irreplaceable father, I never listened to him live and I ignored his very few recordings until this spring. I heard his most recent CD, "That Face!," released on Rhino in 2006. Backed by an invigoratingly swinging big band, his singing made me feel good with his personal, signature sound, infectious jazz time and conversational phrasing. That surprise led to a long interview with Mr. Sinatra at New York's Blue Note jazz club, where he was appearing. "If I were still producing jazz records," I told him, "I'd ask you to come into the studio. How come you've made so few?" View Full Image Ken Fallin "There's very little demand for my recordings," he said wryly.
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